Well, I’ve just gotten over three weeks of insanity. Should have more time to update the web site going forward, although there hasn’t been much news lately, other than that Red is having a few production issues. (Probably nothing to worry about, looks like typical stuff when electronics go into mass production — most companies [...]

Red makes many workflows possible, but as of right now, the most clearly defined one is the one that will be made possible by the REDCODE support in Final Cut Pro 6. This post will lay out how that’s going to work, to the best of my understanding. Like the post on REDCODE QuickTime support [...]

The bad news is that our next podcast, which will probably be on on-set workflow and data management, is presently on hold pending the arrival of some audio gear which is, naturally, backordered.

The good news is that, thanks to the new audio gear, our next podcast should sound quite a lot better.

If you’re shooting a feature with a Red camera, the obvious format choice is 4K REDCODE RAW at 24 fps. The question is, what next? The announcements Red and Apple made at NAB clarified a lot of this (even for people who aren’t using Final Cut), but not everything.

What do we know? Well, we’ve known [...]

So, Red is making an affordable camera that produces great footage. What do you do with it? Well, it depends what platform you’re on, what sort of content you’re working with, and what your budget is.

Information is still a little hazy on some workflow issues, so this is the first post in a series that [...]