Less than an hour until Red starts announcing things. Should be an interesting day! The big stuff I’ll be watching for is more detail about the Final Cut Pro support. Do you get real-time features? If you’re dropping 12-bit REDCODE RAW on your timeline, what bit depth are you working in, and if it’s less than 12, how do you control the conversion? Can I drop REDCODE RAW 4K on an FCP timeline, cut it, send it to Color, grade it at 2K without having to generate a new set of files, and then output?

Hopefully we’ll know soon.

Red is also planning to give estimated shipping dates for reservation holders, and maybe announce some new accessories.

(By the way, I’ve made some change to the site design. If things look off, your browser probably has old images or stylesheets still cached. Hit reload a couple of times.)

This entry was posted on Monday, April 16th, 2007 at 11:25 AM and is filed under Red, Software, Workflow. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.